The beautiful church of Santa Maria della Salute owes its origin to a dreadful event: the plague of Venice in 1630-31. To stop the scourge the Venetians invoked divine intervention, vowing to build a church to honor the Virgin Mary in exchange for an end to their troubles. It worked, and the promised church, designed by the young architect Baldassare Longhena, was completed in 1682.
The grateful Venetians still celebrate the occasion by paying their respects there on November 21st of each year. (Coming soon!)
It is one of the town’s most heartfelt celebrations, and thousands of people make pilgrimages across a specially (and temporarily) set up pontoon bridge, buying candles at booths placed in the square outside the church.
These are lit inside and deposited, together with prayers for the salute (good health) of loved ones, in large trays filled with sand set around inside the church.
The high point of the festivities is the arrival of the Patriarch (bishop) of Venice leading a colorful procession of priests, cardinals and carabinieri to the church, where he will give a special thanksgiving homily.
-- Contributed by Patricia Glee Smith (see bio), accomplished artist and very involved archaeology aficionado based in Otricoli, Umbria. Click here to view her artwork.

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November 10th, 2009 at 2:50 pm
The enlargement picture feature is a great addition. So many pictures contain very delicate detail better viewed enlarged by older, but still very interested eyes.
Thanks GB and best to you always,
Ken
November 10th, 2009 at 4:12 pm
Is this the festival of the Redentore? We went to Venice when we lived in Verona, but I that was in the late summer – to the best of my knowledge, also thanking the Virgin. There were incredible fireworks, party boats in the canals and the pontoon bridge you describe. This is a link to one of my posts about that festival: http://livecheapmakeart.blogspot.com/2006/08/memorable-night-in-venice-redentore.html
November 11th, 2009 at 10:42 pm
Patricia, congratulaions on a wonderful set of photos. I very much agree with Ken, the enlarglements make a great difference. Having been born in 1925 my eyes are at least as old as Mr. Kraft’s.